Tuesday, November 08, 2011
Last Money ~Ai no Nedan~ eps 1-3 and invisible exposition
I had watched the first 3 episodes of this series some time ago, had some idea of what I wanted to say about it but couldn't be stuffed figuring it out... until last night when I was reading Jim Shooter's blog and came across the magic words that I had been looking for: invisible exposition. Shooter writes: it’s generally good policy to try to seamlessly weave your introductions and establishments the info into the action so it’s invisible exposition. And provide only the info necessary to understand the story in hand.
We all know what exposition is, its explaining things to the audience whether it graphics on the screen giving a summary of character traits like in Renai Dekinai, a conversation between two characters or a character voicing his/her thoughts or having them being audible to the audience. I would say exposition is the passing on of information to the audience so that they know who the characters are, what they are doing and what the possible outcomes are.
So what does it have to do with Last Money, a dorama about insurance fraud investigation? Well, its got this young trainee character who of course is idealistic and who's function is to provide information to the viewers in the form of asking stupid questions and stating his ideals without thinking realistically in order for the main character to state his stance.At first, I was thanking the gods of jdorama that the trainee was not the main character but it got worse when he asked questions for answers that can be easily be inferred upon and generally act like a bumbling idiot who is not funny.
Of course I understand that insurance fraud is not something most people would be familiar with. If this were say a surgery dorama, the only exposition needed is onlookers commenting on the process of the surgery and its difficulty. However, Last Money already makes use of written information on screen as well as the insurance agents reiterating the important bits of the insurance claim to the clients. So what we are left with is a waste of space character who is goddamn irritating giving more than enough information that treats the audience like we have an IQ of 50.
Invisible exposition this is not. Invisible exposition is when the conversations feel natural and characters don't say or ask things solely to get something across. A lot of times it is necessary when it cannot be woven into the fabric of the story or 'action' scenes like during a surgery. In the case of Last Money, most of the necessary exposition can be done during the course of client interviews or inferred during work conversations. There is no need to treat the audience like idiots.
However, I would not be too quick to condemn the writer because the trainee character is apparently played a johnny. Smells like someone told the writer to give him more lines. Bloody hell explains why his character feels so jarring when giving more than enough information and sometimes repeating information that the audience can easily work out for previous information. Why generally non Wowow and NHK doramas suck is not just because they cast bloody idorus who can't act, poor bloody writers have to appease the agencies and sacrifice efficient storytelling. Fucking johnnys, the backbone of the Japanese entertainment industry and the bane of good storytelling and decent acting.
What of the dorama? Besides the white elephant that is the trainee, its pretty interesting. Insurance fraud is something that we don't see everyday with interesting cases like who died last in an accident or trying to determine whether a death was suicide or an accident. There's also a mystery element to it with the death of a character shown in the beginning of the show. The hardsubbed version was stopped at ep 3 and I believe someone started softsubs for ep 1.
Labels:
Jdorama
Sunday, November 06, 2011
Watashi ga renai dekinai riyuu eps 1+2
Someone shouldn't be in this picture...
Watashi ga renai dekinai riyuu starts off by asking the audience whether they are in love, showing some random normal looking women with their attitudes towards love written on the screen. Then we are introduced to our three main characters ; Karina plays a tomboy who is best friends with a dude, Yoshitaka Yuriko is two years out of uni, looking for a job and has a lot of fuck buddies and lastly Oshima Yuko is young, very straightforward virgin.
Honto no koi wo shiranai. 24 sai. The only kanji I know from the last three kanji is naka/chu.
The purpose of the elaborate introduction in ep 1 is too fold. First is to say that the three ladies are ordinary girls and asking the female audience to relate to them because apparently girls watch doramas/movies to relate to the characters and project themselves onto them. First off, if you look like Yoshitaka Yuriko and you have problems finding love, what you are claiming is an impossibility. Secondly, the whole let's talk about modern girl issues could quite possibly take a back seat to telling a good story.
Ren ai ga mendoukusai. Didn't know that mendoukusai is face (men) + defeat (taosu). Kanji never makes sense.
I can't complain about what Renai Dekinai is. I very much want it to be watchable because its got crazy eye candy. I am so tempted right now to buy the Kurashina Kana calender. I went into this series with the lowest of expectations and so far its been pretty good. Its clearly got a high budget with cool music everywhere but the surprising thing is that this is one 'trendy' dorama in a long time that doesn't try to hard. I don't even want to go near the new Kimutaku one. If Renai Dekinai can be half as fun as Love Shuffle, I will be happy.
Hopefully I can remember 重い which means heavy or in this case serious.
So far, the stories are holding up. Karina's got the best friend who's getting married plot. Hhmm, I never really bought her tomboy act which she started in Freeter though. Now if they got Yoshizawa Hitomi, that would be different. Looks like there's trouble in the horizon for Karina's best friend's engagement. Personally, I think Karina stands no chance against Kurashina Kana. Oshima Yuko has the most boring story of this girl who is too serious for her sempai. Her most important role so far has been the catalyst to cause Yoshitaka Yuriko to rethink her stance on fuck-buddies.The best storyline so far belongs to Yoshitaka Yuriko who will undoubtedly get involved with the married T.Shiraishi.
Look at that smile...
One sign of the apocalypse for me is Katou sensei from Iryu/Mrs Shiraishi on the title screen. Please do not have her move into the house and have an episode of them sleeping in the living room together bashing men for one whole episode. Actually, I wouldn't mind it if they were all wearing lingerie. Just gotta have the older woman who wanted independence and then turns around when her biological clock is ticking and makes decisions on her own.
Three 'everyday' single girls who live in a gigantic house that the average person can never afford.
In summary, pretty watchable and I hardly fast forwarded anything. A must watch in terms of eye candy but story wise remains to be seen. Everytime I see Oshima Yuko, I can't help thinking about the ending in AKB1/48 where after running from paparazzi, Yuko asks the player to wait for her to become a full fledged actress as love relationships are forbidden in AKB48.
Watashi ga renai dekinai riyuu starts off by asking the audience whether they are in love, showing some random normal looking women with their attitudes towards love written on the screen. Then we are introduced to our three main characters ; Karina plays a tomboy who is best friends with a dude, Yoshitaka Yuriko is two years out of uni, looking for a job and has a lot of fuck buddies and lastly Oshima Yuko is young, very straightforward virgin.
Honto no koi wo shiranai. 24 sai. The only kanji I know from the last three kanji is naka/chu.
The purpose of the elaborate introduction in ep 1 is too fold. First is to say that the three ladies are ordinary girls and asking the female audience to relate to them because apparently girls watch doramas/movies to relate to the characters and project themselves onto them. First off, if you look like Yoshitaka Yuriko and you have problems finding love, what you are claiming is an impossibility. Secondly, the whole let's talk about modern girl issues could quite possibly take a back seat to telling a good story.
Ren ai ga mendoukusai. Didn't know that mendoukusai is face (men) + defeat (taosu). Kanji never makes sense.
I can't complain about what Renai Dekinai is. I very much want it to be watchable because its got crazy eye candy. I am so tempted right now to buy the Kurashina Kana calender. I went into this series with the lowest of expectations and so far its been pretty good. Its clearly got a high budget with cool music everywhere but the surprising thing is that this is one 'trendy' dorama in a long time that doesn't try to hard. I don't even want to go near the new Kimutaku one. If Renai Dekinai can be half as fun as Love Shuffle, I will be happy.
Hopefully I can remember 重い which means heavy or in this case serious.
So far, the stories are holding up. Karina's got the best friend who's getting married plot. Hhmm, I never really bought her tomboy act which she started in Freeter though. Now if they got Yoshizawa Hitomi, that would be different. Looks like there's trouble in the horizon for Karina's best friend's engagement. Personally, I think Karina stands no chance against Kurashina Kana. Oshima Yuko has the most boring story of this girl who is too serious for her sempai. Her most important role so far has been the catalyst to cause Yoshitaka Yuriko to rethink her stance on fuck-buddies.The best storyline so far belongs to Yoshitaka Yuriko who will undoubtedly get involved with the married T.Shiraishi.
One sign of the apocalypse for me is Katou sensei from Iryu/Mrs Shiraishi on the title screen. Please do not have her move into the house and have an episode of them sleeping in the living room together bashing men for one whole episode. Actually, I wouldn't mind it if they were all wearing lingerie. Just gotta have the older woman who wanted independence and then turns around when her biological clock is ticking and makes decisions on her own.
Three 'everyday' single girls who live in a gigantic house that the average person can never afford.
In summary, pretty watchable and I hardly fast forwarded anything. A must watch in terms of eye candy but story wise remains to be seen. Everytime I see Oshima Yuko, I can't help thinking about the ending in AKB1/48 where after running from paparazzi, Yuko asks the player to wait for her to become a full fledged actress as love relationships are forbidden in AKB48.
Labels:
Jdorama
Thursday, November 03, 2011
Shinya Shokudo season 2 eps 1+2
The first season was a pretty enjoyable series about food and its significance to people. The best way to describe Shina Shokudo is that it is the jdorama equivalent of a Kiroro song. It doesn't catch your ear so much as you find yourself enjoying it more than you thought you would and Kiroro songs never disappoint.Just realised its been less than a year since I first saw the first season.
Season 2 starts off right where season 1 left off and the first thing that struck me was that there were a lot of scenes set outside the eatery. If my memory serves me right, I think in season one everything was set in the eatery and anything outside would merely be recollections. HHmm, actually I think there was a stripper story and actress story that had scenes outside the eatery. Ep 1 just felt a bit weird with so many hospital and batting centre scenes.
Nevertheless, season 2 continues the excellence of season 1 of efficient story telling and ability to do heart warming stories without being contrived. I have no idea what the difference is between Shina Shokudo and a lot of jdoramas where happy/touching endings are forced out and feel inorganic. Perhaps it is the laid back attitude of the dorama which makes it seems like we the viewers are merely peeping into the lives of the people who frequent the establishment.
WTF is Shinya Shokudo in Shinjuku? To the left is Kabukicho and the Ryuga Gotoku Don Quixote and the right is Taito Game Centre.
With Suzuki sensei and Shinya Shokudo, it is a great time to be a dorama fan. Do check out the first season if you haven't. It will not blow you away but the characters and stories will make you smile. Oh yes, Erecto Ohki is one of the best stories from season 1. Hope he makes a return in 2! Most importantly, do not watch on an empty stomach!
On an unrelated note, I have been playing the first AKB game on PSP like mad for the past 3 days because the endings for the sequel suck and I just find a lot of the conversation stupid (for a dating sim). A lot of the stupidity has a lot to do with setting the game in a foreign country (Guam). Its like watching Japanese pretending to converse in English in jdoramas . I've developed an obsession with getting all the Oshima Yuko cards in the first game but more importantly I needed to play the game often to retain all the kanji that I learned.
The proper way for learning is to write a word at least 20 times and test myself the next day but I'm too lazy. I've thought about doing a kanji a day thing on my blog to help reinforce my memory but I can't be stuffed. Kanji always does my head in. Take for example 覚え is oboe or memory. 不(fu) means not or negative and 不覚 (fukaku) means failure/defeat instead of no memory or something to do with memory. Gah, talk about square peg in round hole. Probably the biggest hurdle in my Japanese learning is that reading does nothing for my speaking.
Labels:
Jdorama,
Must watch
Monday, October 31, 2011
Suzuki sensei ep 4
How bloody good is this dorama?! Ep 4 was so good I've forgotten what to write about ep 3. Ep 4 is basically the self destruction of Takechi, the class representative. Takechi is this smart student who has a crush on Ogawa and has a tendency to look down on people. He causes an accident to happen to Nakamura who just reminds me of ex Momusu Koharu Kasumi.
A simple apology from Takechi would have sufficed but somehow he fells like he has to vindicate himself in front of the whole class. Chalk that up to his attitude of superiority. With all the secrets and tension behind the incident, Takechi's whole plan was sure to blow up and it did.
The fun thing is watching him unravel piece by piece. Part of it is good writing and part of it is great acting by the kid. After watching so much overacting and trying to be cool acting from students in jdoramas, its so refreshing to see a flawed character being portrayed. Was Takechi the evil kid in Koukuhaku? Anyway, kudos to his awesome acting.
The implosion of Takechi is done is such a way that you can see what he's thinking and why he does certain things, only that he doesn't realise what he looks like from other perspectives. A true self centred character but I think everyone can sympathise with Takechi having bouts of being self absorbed and not realising the effects of single minded kamikaze revelations.
Ep 4 ends with the mother of all revelations. A revelation so genius that it just blows my mind. All the freaking while I thought Asami was having problems with depression or something. Even better, the revelation leads on to a possibility with Ogawa which the writer could possibly have fun teasing the audience into doubting whether it is actually true.
With so many doramas out right now, I don't feel like watching anything else. Suzuki sensei is so much better than everything else at the moment. So tempted to just watch it till the end. D-addicts has only up to ep 7 but myasiancinema has the whole thing, thought half of it is in flv format. Suzuki sensei is certainly the strongest contender of best dorama of 2011. There has to be more than 200+ people downloading the subs. Can't believe the subs for ep 1 went from 400+ to 288 in ep 2 and we have shit like Hunter going for 1k sub downloads. FFS can the people at d-addicts not realise the greatness they are missing here?
Wednesday, October 26, 2011
Mitsu no Aji eps 1+2
How to get your not real niece who is very kawaii to fall in love with you. Step 1: Meet her at train station on rainy day and tell her you can't come see her anymore because of work/study.
Mitsu no Aji has a premise that seems to have come out straight from an eroge. Naoko (Eikura Nana) falls in love her her uncle Masato (Arata) when he shields her from water being splashed by a bus during a rainy walk from the station and his mole on his chest is apparently a big turn on for her. At that moment, she decided that she would study hard and enter the medical school that her oni-san was studying to stalk him.
Step 2: Ignore all wet schoolgirl fantasies and do not stare so she'll think you are nice guy. Because she is from the country, she has no idea that the only guys who do not stare are gay.
Yes, there's nothing that says eroge like a niece that calls her uncle oni-san.Unlike your typical eroge main character, Masato does not experience any nose bleeding at the sight of his drenched niece in a high school uniform. Oh yes, in true let's put a loop hole in fashion, Masato is not Naoko's true uncle. He was adopted by relatives when his parents died which would make him a distant relative.
Step 3: Use splashing water from bus as excuse to initiate body contact.
So, innocent country girl goes off to wild Tokyo to be with uncle. Except Masato oni-san now has a girlfriend Aya (Kanno Miho). Aya doesn't want to get married and doesn't want kids which is a godsend to all men. However, upon meeting Naoko, she realises the truth about Naoko's feelings for Masato and quickly accepts his marriage proposal and wants it done asap.
Step 4: Have a body mark such as a mole (use a fake if you have to) so it can be seen through your shirt and arouse her. Hey girls have wet t-shirt fantasies too.
Naoko using her innocent niece powers sees that Aya does not really love her uncle as much as her job and is marrying Masato to because of Naoko. So basic premise so far is innocent country niece wanting to save dumb uncle from scheming fiancee who doesn't love him as much.
Step 5: Don't say anything because it will take all your willpower to resist the urge too look at bra through the wet top.
I really enjoyed the whole evil Aya acting like this perfect girlfriend in front of everyone and only Naoko being able to see through her. Its kind of an eroge twist to your perfectly innocent protagonist having the kitchen sink thrown at her to stop her saving her true love in the mold of Hoshi no Kinka.
Step 6: Wait for her to finish high school and don't hook up with a two faced girlfriend who looks like Kanno Miho.
Now, there are two things that could ruin Mitsu no Aji. First is making Aya not so evil. They've already started making excuses for her with her parents being workaholic doctors and her not being loved. Zzzzz, boring. I want bloody conflict and when I say bloody I mean going for the jugular stuff. Second is Naoko having a potential love interest in Hachi one Diver.
Ooops, too late.
For the love of all that is good and holy, please do not give it a peaceful happy ending where Aya cries out her excuses turns over a new leaf with Naoko going with Hachi one and everyone saying out loud that they have learned something from this ordeal. Anyway I enjoyed the hell out of the first two episodes. It really appeals to ero ojisans like me but fingers crossed it doesn't turn pedestrian like Guilty. Actually I can't wait for Masato's brother to find out about Aya.
Mitsu no Aji has a premise that seems to have come out straight from an eroge. Naoko (Eikura Nana) falls in love her her uncle Masato (Arata) when he shields her from water being splashed by a bus during a rainy walk from the station and his mole on his chest is apparently a big turn on for her. At that moment, she decided that she would study hard and enter the medical school that her oni-san was studying to stalk him.
Step 2: Ignore all wet schoolgirl fantasies and do not stare so she'll think you are nice guy. Because she is from the country, she has no idea that the only guys who do not stare are gay.
Yes, there's nothing that says eroge like a niece that calls her uncle oni-san.Unlike your typical eroge main character, Masato does not experience any nose bleeding at the sight of his drenched niece in a high school uniform. Oh yes, in true let's put a loop hole in fashion, Masato is not Naoko's true uncle. He was adopted by relatives when his parents died which would make him a distant relative.
Step 3: Use splashing water from bus as excuse to initiate body contact.
So, innocent country girl goes off to wild Tokyo to be with uncle. Except Masato oni-san now has a girlfriend Aya (Kanno Miho). Aya doesn't want to get married and doesn't want kids which is a godsend to all men. However, upon meeting Naoko, she realises the truth about Naoko's feelings for Masato and quickly accepts his marriage proposal and wants it done asap.
Step 4: Have a body mark such as a mole (use a fake if you have to) so it can be seen through your shirt and arouse her. Hey girls have wet t-shirt fantasies too.
Naoko using her innocent niece powers sees that Aya does not really love her uncle as much as her job and is marrying Masato to because of Naoko. So basic premise so far is innocent country niece wanting to save dumb uncle from scheming fiancee who doesn't love him as much.
Step 5: Don't say anything because it will take all your willpower to resist the urge too look at bra through the wet top.
I really enjoyed the whole evil Aya acting like this perfect girlfriend in front of everyone and only Naoko being able to see through her. Its kind of an eroge twist to your perfectly innocent protagonist having the kitchen sink thrown at her to stop her saving her true love in the mold of Hoshi no Kinka.
Now, there are two things that could ruin Mitsu no Aji. First is making Aya not so evil. They've already started making excuses for her with her parents being workaholic doctors and her not being loved. Zzzzz, boring. I want bloody conflict and when I say bloody I mean going for the jugular stuff. Second is Naoko having a potential love interest in Hachi one Diver.
Ooops, too late.
For the love of all that is good and holy, please do not give it a peaceful happy ending where Aya cries out her excuses turns over a new leaf with Naoko going with Hachi one and everyone saying out loud that they have learned something from this ordeal. Anyway I enjoyed the hell out of the first two episodes. It really appeals to ero ojisans like me but fingers crossed it doesn't turn pedestrian like Guilty. Actually I can't wait for Masato's brother to find out about Aya.
Labels:
Jdorama,
Must watch
Monday, October 24, 2011
Perfect Report 1-7
Perfect Report is dorama about a underdog tv journalist department headed by Aoyama Kana (Matsuyuki Matsuko). They are the general of back up section staffed by rejects and their job is to back up whatever tv journalist group needs help whether it be politics or staking out an idol.
Once again, we have another job dorama where the main protagonists are hated by everyone else for no reason. Someone needs to explain to me why in so many jdoramas, they writers feel a need to create unnecessary obstacles which don't make sense. Actually its not the hated part that doesn't make sense, rather the continue to depise our main characters while they continue to succeed and prove their worth part that makes no sense.
There the sub story that the head of the news section is merely using Aoyama for his own end but so far nothing has come of it. Usually in jdoramas, the main characters just take this abuse and bullying on the cheek and continue to do so despite doing what the bullies could not. Is this a reflection of Japanese work practices? That capable people should be aware of their place on the totem pole and not rock the boat?
The one show that keeps popping into my head is Beauty or Beast which was a very fun show about tv reporting with a bunch of underdogs. Perfect Report follows the same formula with stories that highlight each character but with some episodes, Perfect Report tries too hard to be cool. The on that comes to mind is the Aibu Saki episode. Not to mention how she could have caught up with a bus while waddling with an injury unless bus driver in Japan go 20 km/h.
The highlight for me is Akasaka Shu (Keisuke Koide). He starts of as one of the bullies, is career minded and is transferred to spy on Aoyama but we soon see that he has journalistic integrity as well as a host of problems which make him more of the main protagonist of the show. His got a good story arc and his main story is the driving force for the series while Aoyama's pops in and out at times. Actually Akasaka wins the main character spot because everyone else is a one note character.
Perfect Report starts off shaky but the two main stories especially Akasaka's has kept it from being a generic sob story with tryhard cool moments of investigative reporting. My gut feeling is that it will end strong. Perfect Report is just above the sea of mediocrity. Compared to Beauty or Beast, the quality of the episodes has not been consistent. Let's see if the main stories will make up for it.
Labels:
Jdorama
Wednesday, October 19, 2011
Kaseifu no Mita ep 1
My first thought when watching Kaseifu no Mita was what happened to Matsushima Nanako's nose? Did she go see Michael Jackson's plastic surgeon?
Housekeeper Mita who likes to wear a lot of dark make up works for the Asuda family where the mom just passed away. Mita is very competent and is able to recite the name of all members of AKB48. However, she is very robot like in that she can only take orders and sometimes, too literally. Kaseifu no Mita is not Jyoou no Kyoushitsu in a house. Its more of a housekeeper who strictly follows orders with disastrous consequences that end happily.
Despite having two good actors in Matsushima Nanako and Suzuki sensei, this dorama does not hinge on their acting abilities. Rather, how good it is will be decided by the writing and the acting of the kids. That's because Mita is more of a robot housekeeper and the father, played by Suzuki sensei is doesn't have much to do besides act incompetent and order Mita around.
Didn't like the kids in episode 1. I felt they were trying way too hard, especially the scene where they took turns crying. They are trying to milk the youngest daughter for the kawaii factor but it just comes off as too fake.
The writing is a disappointment, specifically the scene where the son punches Mita multiple times in the face. That was a so WTF scene. You're pissed off at your housekeeper and you assault her face instead of maybe, taking the clothes away from her? There is no excuse for beating up on a woman unless you are an evil villain!
Seriously, there was no apology for the assault and no WTF have I done moment following the attack. Only more crying about his mom. Does the writer expect the viewer to care about the piece of crap son who did not have second thoughts about abusing the housekeeper or the father for not reprimanding his son and offering his sincere apologies to Mita? Too early to say don't watch but it is not promising at all.
Labels:
Jdorama
Sunday, October 16, 2011
Mano Erina 2012 calender
There was only one calender that I knew I had to get and it turns out to be one kick ass calender. The cover picture is awesome.
This one's ok. Sorry about the light reflection but I can confirm that she is wearing blue shorts in this picture. (Probably jean shorts)
Hhmm, I think Hello Project needs to do an equivalent to the AKB1/48 game and include in the Dream Momusu members. I would gladly pay $200 for a special edition of that.
Love her smile.
Almost bought a Kurashina Kana calender but the small preview pictures on the front of the calender don't look good. I've got also ordered a Nozomi Sasaki desktop calender for use at work but it hasn't been sent yet.
This one's ok. Sorry about the light reflection but I can confirm that she is wearing blue shorts in this picture. (Probably jean shorts)
Hhmm, I think Hello Project needs to do an equivalent to the AKB1/48 game and include in the Dream Momusu members. I would gladly pay $200 for a special edition of that.
Love her smile.
Almost bought a Kurashina Kana calender but the small preview pictures on the front of the calender don't look good. I've got also ordered a Nozomi Sasaki desktop calender for use at work but it hasn't been sent yet.
Thursday, October 13, 2011
Suzuki Sensei ep 2
I just had to write about ep 2 after watching it. Problem is its hard to say why Suzuki sensei is such a good dorama besides great acting, writing etc. Its difficult to describe because while it is like your typical teacher dealing with school problems and students, its the execution that makes it interesting.
For the whole, complete 45 minutes, ep 2 had my complete attention. Even for something seemingly as mundane as something being taken off the lunch menu, I was hanging on every word, laughing at the appropriate moments and just being absorbed into the story. Even a teachers' meeting was very exciting.
Actually, if I had to come up with a description of Suzuki sensei, it would be a person narrative of a teacher, done in a way that is amusing and entertaining not because the teacher is a larger than life character or has personality quirks but because the writing allows you to get into his thought processes, it makes sense and you end up thinking along with him.
Examples of the humour in this dorama is when Suzuki sensei tries to convince himself of something but we know its not true, like when he runs into Ogawa Somi at school after his dream. The punchline is when he succumbs to her smell and he is sniffing the air like an idiot at the school gate. The joke continues during lunchtime when Suzuki sensei comments that he was glad it was curry because it would wipe out the shampoo smell. To me, its just hilarious and brilliantly funny.
Episode 2 had two storylines; the lunch menu story and the mystery of the disgusting behaviour. The execution of it was masterful. You get to see it from his point of view and share his stress as the time limit drew near. Its not a detective movie where you watch from afar as the detective declares he has solved the mystery and explains it at the end. The viewer stands in Suzuki sensei's shoes and tries to solve it along with him.
An anonymous commentator mentioned that the writer is Furusawa Ryoto who wrote Gaiji Keisatsu, probably the best police jdorama ever along with Gonzo. You can't click on his name on dramawiki and I had to go to the Japanese wiki to find his the list of his body of work. So he has done:
1) Always san chome movies which are pretty good feel good movies.
2) Aibou police series which I would occasionally see news of on Tokyohive, seems to be popular and has 9 seasons!
3) Gaiji Keisatsu.
4) Gonzo. Yes, he has written two of the best police jdoramas I have seen! I've never watched Aibo though.
5) Oishii gohan which is subbed and which I will definitely check out.
Can't read the rest of the list as my kanji is still shit but WTF??!! This guy is one of the gods of jdorama writing along with Nojima Shinji and Ozaki Masaya and he has no drama wiki entry? I am ashamed that I did not realise that the writer of Gaiji Keisatsu and Gonzo was the same person.
Hhmm, Vulcan 300 fansubs have subbed 2 eps of Aibou season but the last update was in March so its pretty much dead. Maybe I can find the HK English subbed dvds. JT also mentioned that the ratings are very bad, averaging about 2%. WTF???!! Its a 10pm dorama, not a midnight dorama! Has there ever been a non midnight dorama which was so good and has such horrible writing??!!!
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