Shinya Shokudo ep 4

It is pretty sad that season 2 of Shinya Shokudo is not only the best but probably the only decent subbed jdorama this season, besides Last Money. I really like ep 4. Its a cheesy story about a struggling bento-ya Masashi who meets this prostitute Ikumi (Ito Ayumi who I last saw in Solanin) but its executed in such a masterful way that I just have to tip my hat to the writer.

Episode is an exercise of telling a simple story effectively in 20 minutes. With a few lines out dialogue to the other customers, Masashi gets to introduce himself to the audience, tell us a bit about his history and this exposition is invisible because he does it in the process of complaining about his new colleague. The dialogue is natural and before the audience even blinks, they know who this character Masashi is and what he does.

I like the cameo from the kara-age girl.

Next, we have Ikumi coming into the diner and master telling the audience that Ikumi's choice of food is nikogori, which is hardened fish stock on rice. Masashi seems interested in Ikumi and then we get our romantic jdorama scene of Ikumi helping Masashi out at his bento shop. He buys her dinner as thanks, confesses and gets turned down because she already has a boyfriend. 

I won't list of every scene but basically every shot in episode 4 had a purpose or two. For example the scene establishing that Masashi can't forget Ikumi as he eats nikogori at the diner while Rumi talks to two other patrons about her confidence and strong sense of self worth while the two chide that her new love interest is only buttering her up. A short scene that establishes Masashi's turmoil after he learns the truth and Rumi chatter implies the issues that nag at Masahi and Ikumi's thoughts.

Gotta love that scene after Ikumi declares to the master that she is going to graduate and wonders whether she can return to her original self. We had Ikumi scrubbing down the inflatable bed with the awesome sad music playing in the background and no stupid sign telling the audience what a great metaphor it was. *cough* Renai Dekinai *cough*

The last scene I want to talk about is the scene where Ikumi was hesitant about Masashi's proposal and he reiterates that it would be ok as she has broken up with her boyfriend. I love Ikumi's slow look of realisation that Masashi might know what her boyfriend was and then he gives her a nod. Beauty in simplicity. No need to spell everything out to the audience. No time fillers and useless characters that are there to push an idoru. Simple story told magnificently.