HAMSAPSUKEBE 2015 JDORAMA AWARDS

WTF AWARDS

WTF is Oguri Shun doing the Nobunaga Concerto movie and Ouroboros instead of the sequel Border?

WTF is Densha in so many shows. Is he becoming the new Kita Yoshio?

WTF does Risk no Kamisama have nothing to do with risk assessment/prevention?

WTF can't jdoramas do action scenes properly without insulting intelligence. I'm looking at you Siren/Angel Heart/Ouroboros.

WTF did anyone think that Death Note needed remaking?

WTF do season 3 of Doctors just to rehash the same thing?

WTF hasn't anyone uploaded Panic In?

The one show I want to watch in Shingari but the lack of Japanese subs makes its very difficult to follow all the bloody business terms.

BEST DORAMA SPECIAL

KAMOSHIRENAI JOYUUTACHI

I don't normally watch dorama specials because most of them are idol pushing someone has fatal disease stories but I can't imagine anything more entertaining than this.


BEST SUPPORTING ACTRESS

KURASHINA KANA - TENSHI NO KNIFE

Honourable mention to Kikuchi Rinko and Kaho in Yume o Ataeru.

BEST SUPPORTING ACTOR

KOBAYASHI KAORU - GODAN

Shout out to Takito Kenichi for Zainin no Uso, the first time I've never seen him overact.

BEST ACTRESS

AIBU SAKI - GARASU NO ASHI

I normally don't think of Aibu Saki as a good actress (though I really like her in Angel Heart) but this was the role of her career and she absolutely owned the character.

Honourable mentions to Kimura Tae for Boku no Tsuma to Kekkon shite kudasai and Suzuki Kyoka for Dakara Koya.

BEST ACTOR

FURUTA ARATA- YAMI NO BANSOSHA

Yami no Bansosha wouldn't have been as fun without him.

Honourable mention to Ito Hideaki for Zainin no Uso.


BEST JDORAMAS OF 2015

OKASHI NO IE 

Best slow, feel good show of the year. The ending to episode 9 is so heartwrenchingly good.


KAGERI YUKU NATSU

I love how every episode ends in a cliffhanger with great music. WOWOW are the masters of suspense doramas.

TENSHI NO KNIFE

Inconsistent acting does not prevent Tenshi no Knife from being a must watch show cause the script and Kurashina Kana are so good.

ZAININ NO USO

Ito Hideaki's best work.

YAMI NO BANSOSHA

GARASU NO ASHI

2015 was truly the year of WOWOW shows and they have shown that tightly scripted 5-6 episode doramas are better unless the material actually requires 10 episodes. WOWOW has truly stepped up their game and they are so much better than everyone else. If only Japanese subs for their shows were available.

Real Onigokko / Tag

Real Onigokko is Sono Sion's fourth movie of 2015 after Tokyo Tribe, Shinjuku Swan and Love & Peace and is surprisingly his best of the lot.

Its a low budget one and a half hour chase sequence starring Triendl Reina, Shinoda Mariko and Mano Erina as the same character.

Real Onigokko feels like Sono Sion at his best after he seemed to have lost his way with Tokyo Tribe and trying to be family family friendly with Love & Peace.

And I'm not saying that just because upskirts are back.

Real Onigokko is a chase movie where a lot of weird stuff happens and it never slowed down for me to think too much.

Triendl Reina does a decent job of looking scared and screaming throughout the movie.

If there's one flaw for Real Onigokko, its the artistic ending.

Watching this whole chase sequence of a movie, at the back of my mind I was thinking that all these clues will lead to some mind blowing ending.

It was more like a WTF is the purpose of this movie ending.

But after a while, I started thinking about Real Onigokko metaphorically/symbolically it started to make sense. Hint: Last boss represents patriarchal society.

Once I started from there, everything in the movie fell into place including some of the really weird wtf stuff.

You might be looking at the picture thinking this doesn't look like a chase movie! I assure you, its a pretty exciting chase movie.

One of Sono Sion's better works IMO. I don't think there is anyone who will not like most of the movie but I don't think everyone will get the ending and what the movie is about.

Highly recommended but its not for everyone. The raw is available at nyaa and English subbed version at avista under the English title Tag.

Forgot to mention the music is really good. Best Sono Sion soundtrack since Love Exposure.

Sono Sion's Love & Peace

I can't believe Sono Sion made a movie without an upskirt shot. I'm pretty sure he spliced in a frame or two into the movie ala Tyler Durden but this is the first time I've seen him do a family friendly movie.

In Love & Peace, Hasegawa Hiroki plays an socially awkward salaryman who becomes this rock star called Wild Ryo thanks to his pet turtle.

Running alongside the Wild Ryo part is a story about an old man living in the sewers with abandoned toys and animals.

The two stories don't mesh for me because Wild Ryo is about someone who makes it but is afraid and ashamed of who he was and the old man in sewer story is about toys and animals wanting to be wanted.

The toy story is necessary for somethings to happen in the Wild Ryo story but Sono Sion should have cut it down for more Aso Kumiko who is criminally underused in this movie.

Despite my complaints, Love & Peace is a fun, entertaining movie with two very memorable songs. I just wish it didn't feel like two different movies in one for me. Watchable but only for Sono Sion fans.

Ryu ga Gotoku / Yakuza Kiwami review

When I was playing RGG0, I was thinking they could easily use the assets to remake the first game and less than a year later, the game came out last week. First thing that stands out is that it doesn't look as good as one which is understandable since its a reskin of RGG1 with some extras thrown in.

There are some new sub stories to do including two new ones which are very funny. One is called old men who are a bit dangerous and one involves the vending machines from Zero.

They've moved the battle system in from Zero which is great with four fighting styles. The styles feel a bit incomplete but that's because they want the player to switch styles on the fly. Now you can switch styles after doing a combo or getting hit etc. For example, there is a move in chinpira style to use on dizzied opponents but the best style to dizzy them is rush style.

My main problem with the game is my main problem with the series since Ishin, that is you can't get all the moves just by doing the sub missions.

Now they've added this stupid thing called Everywhere Majima and its just non-stop repetitive Majima battles. You need to fight Majima many, many times in order to get half the moves in the 4th style, the Dragon of Dojima. What about the other half of the moves? Well, you need to fight many times in the arena to get drawings so that Komaki can teach you those moves and trust me when I say you need to fight many, many times in the arena.

So I thought fuck it, I'm just going to use three styles in this game. Problem is, there is this new thing whereby you can do finishing moves on bosses and you need to unlock the finishing move and be using the right style. So more bosses towards to end are susceptible to the Dragon of Dojima style finishing move including last boss Nishikiyama but to unlock it I needed to get the bloody Majima relationship to SS. WTF.

I beat the bloody game with less than half the Dragon of Dojima style unlocked. Pisses me off. Not as bad as screaming bloody murder when Nishikiyama was flashing red and I couldn't pull off the finishing move because I didn't want to waste my time fighting Majima again and again and again.

I liked that they fleshed out the Nishikiyama story but seriously, they needed to show him and the sister (which they should have done in RGG0) cause it was her death and how she died that drove him over the edge.

I was really excited for Hatano Yui but the two hostess stories sucked and were boring. I thought less quantity meant better quality but I guess not.

Is Kiwami the definitive version of the first game? I prefer the HD remake on PS3 to be honest because they've turned this and every other recent RGG game into a stupid grind game. Anyway, I'm happy to donate money to Sega so they can make RGG6 real good. I'm not surprised the game turned out the way it did but whoever implemented the dokodemo Majima thing should be stomped.

Haretsu Episodes 4-7

Damn, I did not see that ending coming. Lol. It really saved the show. Haretsu is similar to Godan and Lady Joker in that its a thriller with lots of social commentary and questions running throughout the story. Sometimes, things are spelled out too much (some monologues are too long) but generally its very fun and its the first show I've seen to look at the big picture issue of the aging population of Japan.

I like that Haretsu looks at the issue of the aging population being a burden on the country by debating the value of life and the struggle against death. The story looks at it from various perspectives like the survivor from the Tokyo bombings and children of bedridden parents. I love how the writer manages to weave elements of the debate into the story. There are no easy answers to the questions that Haretsu raises but all I need is a deep examination of the issues, which is what I got from Haretsu.

Unfortunately, I can't give Haretsu a must watch because some of the thriller bits are not as exciting but I do highly recommend it because the script is very intelligent and does everything else very well. My hats off to NHK. If you're looking for a Lady Joker like show that's pretty good, Haretsu is the show for you.

Haretsu Eps 1-3

Haretsu is a very interesting jdorama. I thought it would be just another Pandora clone; doctor opens pandora's box by finding a way to make failing hearts younger or work again and we have a moral ending. 

Our main character is a lot more complicated character than your usual Pandora characters. He is an ambitious and perfectionist researcher whose motto is 'you become a true doctor after killing 3 patients'. He is also being sued for medical negligence which makes me worried about a karmic ending. His first human test subject ends up being his father who he hates and he finds out that the treatment might have a side effect.

On the other side, we have the Machiavelli of the National Lifestyle Ministry(?). Now this guy has interesting ideas on how to deal with Japan's aging population. He's the bad guy but there is truth in what he believes in. As someone says in episode 3, medical technology has advanced to the stage where we just keep non-functioning people alive and it is a burden on the country.

Haretsu could possibly be a non WOWOW must watch show or it could go the Pandora route and just be safe and boring. Why I haven't gone though all 7 episodes in one shot is that Haretsu's Japanese is very difficult. I bloody hate all the super long medical terms that actors say really fast. Shout out to Magboro for retiming the Japanese subs. I would not be able to watch Haretsu without them. So far so good and its nice to see a show where the main character is not really a nice person.

Otona Joshi Eps 1-4

My number one pet hate with Otona Joshi is how most scenes with Shinohara Ryoko are shot like a shampoo commercial. I know this show is not not aiming for realism but goddamn its so distracting. Look at Shinahara Ryoko posing and flipping her hair as she buys groceries. I'm guessing her shampoo sponsor paid for half the budget or something.

The best thing going for Otona Joshi is Eguchi Yosuke as the writer for a lot of successful trendy doramas back in the day. I like the use of him explaining all the romance dorama rules and cliches however it doesn't feel like Otona Joshi is going any further with the concept.

Another thing that got on my nerves was how they didn't even issue Eguchi Yosuke a guest pass. Shinohara Ryoko walks with him out of the building anyway so I don't see the not issuing a guest pass being a necessary evil. Maybe the company has a no guest pass policy.

The other characters haven't proven to be interesting. It feels run of the mill middle age women stories for me.

Despite the presense of Tanihara Shosuke, his character feels very underwritten.

Good to see Hirayama Aya again. Can't remember the last time I saw her. Haruka 17 was so long ago. I always thought she could have made it big but I'm happy she's still around.

Despite it being written by one of my favourite writers Ozaki Masaya, Otona Joshi doesn't feel very ambitious. The concept is so good because he can use to to make fun of/ deconstruct all those famous jdorama cliches but the show is called Otona Joshi and not ex-trendy dorama writer. Meh.