Hot Spot jdorama review

 

Ever since the funny Suteki na Sen Taxi and Kamoshirenai Joyuutachi, Bakarythm has shown that he is one of the most talented jdorama writers because there is a thoughtfulness in his script that you can't find in most jdoramas.

Hot Spot is a story set in town in Yamanashi where Ichikawa Mikako who works at a hotel discovers that her colleague played by Kakuta Akihiro is an alien with super powers. Mr Alien is very secretive about his identity but the more he helps Ichikawa Mikako, the more people find out about his powers.

Hot Spot is sort of like Minna, Esper Daiyo! except this one has a clean feel good vibe. A sign of a good writer is foreshadowing and Bakarythm knows how to set up some issue in the beginning of the episode and then tie it back to the issue at the end.

Bakarythm also knows how to write character voices. What I mean is they all have their idiosyncrasies and quirks. I love how the Alien wants to keep his secret but at the same time he wants to be accepted. He is reluctant to help but will not hesitate when someone's life is on the line. I also like that he is not a perfect character and is prideful and will tell white lies.

Suffice to say, all the characters from the hotel manager to Kaho's persistant character are all endearing and really grew on me throughout the show. 

Often when watching jdoramas, I would just wish that they had slight more money to do be able to big scenes. With Hot Spot, I marvel at Bakarythm's ability to tell a fun story about multiple characters mostly using a hote, cafe, mountain roads and an onsen in a hotel. Hot Spot is an example of how writing and acting is the most important thing in telling a story and not budget. You can have the biggest budget in the world but without a good script, you have nothing.

Thanks to Robert for recommending Hot Spot! It really is a gem. Bakarthym turned a story about aliens and superpowers into a heatwarming story about friendship and finding one's place in the world. Must watch and is on Netflix. 

I have been recommended Bakathym's Brush up Life which will place in the queue.

Lumberjack the Monster / Kaibutsu no Kikori jmovie review

 

Who doesn't like serial killer movies? It is a topic that is always fascinating because what sort of human would be compelled to commit multiple crimes for no other reason than to satisfy their own ego? Alas, when I think of serial killer in Japanese movies, I think about how bad Kurosawa Kiyoshi's Creepy was or Oguri Shun's museum. I cannot, off the top of my head think of a good serial killer jmovie.

Which brings me to Miike Takashi's Lumberjack the Monster which is on Netflix. One of Japan's most talented directors, he has made really good movies like Sun Scarred, Audition, Zebraman and Gyakuten Saiban but also horrible movies like Ai to Makoto, Yakuza Apocalypse and Mole Song?

Lumberjack the Monster starts with the police raiding a scary house a long time ago where a woman has kidnapped a lot of kids to cut open their heads. The woman is kills herself and we fast forward to the present, we meet Kame who is playing a lawyer who is actually a serial killer who has no ability to feel guilt or apathy. 

Kame is partner in crime with another serial killer, this time a doctor played by Sometani Shota. One day Kame is ambushed by a person in the lumberjack mask and survives and is injured in his head and discovers that he has a chip in his brain from when he was a child.

Lumberjack the Monster is Miike Takashi at his most restrained. I have always argued that he has great technical skills and works best when he is constrained by the script and story like Sun Scarred instead of when he gets to do whatever he wants like Ryu ga Gotoku.

The violence in Lumberjack is surprisingly restrained when you consider this is the director who did Audition and Ichi the Killer but I argue that less is more and building the tension and suspense is better when less is shown.

I enjoyed the story because it posses the question, if psychopaths exist because they have a deformity in their brain that does not allow them to have guilt and apathy and this can be artificially created, then how much responsibility to psychopaths have for their actions?

The only thing I don't like is Nanao as the profiler police officer chasing Kame. She is just wrong for the role but she is not that crucial so I didn't mind. I am just happy that Miike has done a decent movie and I rather enjoyed it. Watchable.